ADD: Tracks from BRONCO, the first Canaan Smith Album (Mercury)

i started tracking the thing and i’m not impressed. first track, Good Kinda Bad is as derivative as that title is. Second track, Stompin’ Grounds, is one more in along line of odes to small town growin’ up. third track is the first single, Love You Like That, has turned out to be a hit. not a monster, but worthy of twenty plus weeks in Current rotation. Track four, Hole In A Bottle, about…. you guess ….gettin’ drunk on friday night, that’s what. and boy do we ever not need another one’a them monkeys. but then, hell, this one could be a hit. it’s got a groove. feels much like David Lee Murphy’s Dust On The Bottle from ’95. (twenty freakin’ years ago?! sheesh.)

so you see i’m four songs in and i’m not impressed. then came cut five

Stuck this one sounds strong. it’s about that one night of passion, that one moment that blew his mind and it’s over, been over a long time. his mind is stuck, stuck right there, back then. that night. you been there, have you? plenty have and this record drives home that mental derangement as well as any i remember.

One Of Those. cut six is a sexy bad-boy come on, him saying he’s got faults, sure, but he’s never gonna let her go, he’s dependable, she can count on him. here’s a lady pleasing song. it’s got a groove and a hook and he’s saying all the right things. this is a hit record.

Love At First is track eight. built on a cool grove and a chanted lyric that reminded me a bit of Michael Jackson hook-lyrics from his 80-85 period. no kidding, i could hear this as a Jackson song. it sure ain’t daddy’s Country, but is sure is good.

There are four other songs, but these three are the players.

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SteveO

I am one of the pioneers of the Hot Country format that swept across radio in the late 80's. In the early 80’s, I began advising his clients to make two significant formatting moves: 1) Increase the tempo. 2) Play more Currents. What seemed radical at the time, immediately producing ratings winners. My report about the formatting tactics I was using "Repositioning Country Radio" was published in ‘91. It was purchased by more than 200 radio programmers and served as a basic game plan for the Hot Country movement. Today, most radio markets have at least one station positioning itself as “Hot” Country. However, I no longer advise using the slogan anymore. As the format continues to evolve rapidly, new strategies are needed to maintain market share. First announcing job in '64; first PD position at age 18. I served as PD, air talent and station manager in twelve diverse markets prior to starting my consulting business in 1981. At the end of the 90's, I began transitioning from consulting to full-time business development of my music scheduling software company. Conceived and developed the first for the Macintosh computer, introduced in 1987; and Music1™, the first scheduler for Windows, introduced in 1994. The Mac-based scheduler was retired in the early 90s. The innovative Music 1 scheduler is now installed in broadcast and webcast stations around the world. Author of The Programming Operations Manual, radio's only step by step "how to" programming and formatting guide. The $99 book has been purchased by over 3000 broadcasters in the U. S. and around the world. I've often written about the technical, strategic and philosophical aspects of radio programing. My articles have appeared in all major trade publications. Experienced in all standard radio research methodologies; focus group, one-on-one interviews, questionnaires, call-out, etc. From jingles to TV production, billboard and bumper sticker design, telemarketing to direct mail, I've been involved in every aspect of radio programming and marketing.